THE TRIENNIAL 2025
Adela Goldbard
Invadieron por mar, respondemos con fuego. Un presagio., 2025
Steel, woven phragmite, and pyrotechnic castillos
This artwork, a quarter-scale ship based on those used to colonize the New World, incorporates building techniques from across the Americas, featuring Mexican master artisans from Tultepec and Peruvian shipbuilding techniques from Lake Titicaca. Essential to its form are phragmites, the invasive reeds common in New England but detrimental to local ecosystems. The phragmites were collected by the artist and Native Americans and incorporated with wood, steel, and non-native reeds found in Mexico.
The project will culminate in a powerful intervention by burning the ship on Boston’s City Hall Plaza in September. This fiery spectacle will engage local Native-American musicians and Mexican pyrotechnic traditions to transform invasive materials and symbols into a cathartic communal performance. Goldbard brings together knowledge and traditions from across the continent, highlighting the potential for healing and regeneration amidst legacies of environmental degradation and colonization.
Adela Goldbard works within communities to reframe traumatic stories in public spaces. She employs the spectacle and fire of pyrotechnics to help acknowledge and cleanse painful events.
Opening late summer 2025
City Hall Plaza
1 City Hall Sq.
Boston, MA 02203
NAVIGATE TO THIS LOCATION AND OTHERS ON OUR DIGITAL MAP
Adela Goldbard
b. 1979, based in Rhode Island and Mexico City
Adela Goldbard is an interdisciplinary artist-scholar and educator from Mexico. Associate Professor at the Rhode Island School of Design (RISD) and member of the National System of Art Creators of Mexico’s National Endowment for the Arts. She holds an MFA as a Full Merit Fellow in Sculpture from the School of the Art Institute of Chicago (SAIC) and a bachelor’s degree in Hispanic Language and Literature from the National Autonomous University of Mexico (UNAM). Goldbard investigates how radical community performances can subvert hegemonic narratives, while also exploring the transformative potential of violence and destruction as aesthetic tools in the resistance against power. She is especially interested in how collectively building, staging, and destroying has the potential to generate critical thinking and social transformation. Goldbard’s ongoing investigation focuses on developing a poetics of violence and an anticolonial methodology for participant artistic practice. Recent commissioned projects include a pyrotechnic play with/for the Mexican community of La Villita, Chicago (Gallery 400, University of Illinois, 2019-20), and a socially engaged art project with/for the P’urhépecha community of Arantepacua (FEMSA Biennial, 2020-21). She is currently working on a long-term participant project in the Peruvian Andes. She lives and works between Providence, RI, and Mexico City.