The Triennial spoke with Triennial 2025 artist Gabriel Sosa about his project now open at Maverick Landing Community Services, Ñ Press.

The Triennial spoke with Triennial 2025 Museum Partner artist Yu-Wen Wu about her project now on view at the Isabella Stewart Gardner Museum, Reigning Beauty.

The Triennial spoke with Triennial 2025 Museum Partner artist Alan Michelson about his project now on view at the MFA Boston’s Huntington Avenue Entrance, The Knowledge Keepers.

The Triennial spoke with Triennial 2025 Accelerator artist Andy Li about his project now on view at Lot Lab in the Charlestown Navy Yard, Today is The Day.

The Triennial spoke with Triennial 2025 Accelerator artist Alison Croney Moses about her project now on view at Lot Lab in the Charlestown Navy Yard, This Moment for Joy.

The Triennial spoke with Triennial 2025 artist Stephen Hamilton about his project now on view at Roxbury Community College, Under the Spider’s Web and Oruko Pe: The Names are Complete.

The Triennial spoke with Triennial 2025 artist Julian Charrière about his project now on view at the Triennial Hub at Lyrik in Back Bay, Calls to Action.

A constant in Evelyn Rydz’s art practice is her deep reverence for water. For the Triennial, Evelyn examines how caring for local water bodies can be an entry point to community care.

Lingít and Unangax artist Nicholas Galanin creates unforgettable public art encounters that connect language to land.

Adela Goldbard is not afraid to destroy her own work; in fact, she actually considers the act of destruction to play an important, anti-colonial role in preserving traditions.

Patrick Martinez has a message for Boston—one that can’t be ignored. Through striking neon works and layered landscape paintings, he spotlights urgent issues, from climate change to housing insecurity, in ways that spark necessary conversations.

We sat down with Cannupa Hanska Luger to cross the space-time continuum, learn about the biological result of increased oxygen in the atmosphere, and hear how he’s putting his extensive blanket collection to use.

Beatriz Cortez shares about her first piece in the Venice Biennale this year, a trip to the Arctic, Boston’s history of whaling, and more in this interview with Boston Public Art Triennial.